Tag Archives: Hans Keller

Hans Keller 100: a full score of events.

“If there is any point in an anniversary at all (victimization by over-exposure apart) it is a momentary pause: we stop at the traffic lights to reflect, for a moment, upon where we are going. Or rather, we know where … Continue reading

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The Keller Bradshaw letters: a new way of communicating?

I can’t remember when I have enjoyed reading a series of letters quite so much as those between Hans Keller and Susan Bradshaw (although perhaps those between Keller and Robbins Landon in the 1950s run a close second). The meeting … Continue reading

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“…not ‘just’ a great composer…” Hans Keller and Beethoven

“… here is, not ‘just’ a great composer, but one of the most towering minds in the history of culture and civilization – humanity has not, in demonstrable fact, thrown up anything greater …”  So writes Hans Keller in his … Continue reading

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Hans Keller as composition coach: Elisabetta Brusa reflects

Coaching and mentoring, whether it was string quartets, individual instrumentalists, analysis students or young composers, was central to Hans Keller’s life. His over-riding aim always was to make himself redundant by helping his students to find and trust their own … Continue reading

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The Eclecticism of…Hans Keller’s Library*

“Goodness”, I thought to myself as I was wrestling the books in Hans Keller’s library into something resembling a coherent order with which I could work, “this is an eclectic collection”. But then I though – actually, SW, so is … Continue reading

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Deryck Cooke, and, Hans Keller: a meeting of minds … and archives

We here at MusiCB3 are delighted to be able to tell our readers that the project to catalogue the papers of Deryck Cooke is nearing completion with just a couple of boxes of compositions remaining.

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‘An experienced traitor’: Hans Keller and the English language

Nothing to do with music for once, this week – or not directly anyway (or is it?). No-one who reads anything written by Hans Keller – whether it be a concert review for Music Review, a piece for the Listener, … Continue reading

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