Tag Archives: Hans Keller

‘An experienced traitor’: Hans Keller and the English language

Nothing to do with music for once, this week – or not directly anyway (or is it?). No-one who reads anything written by Hans Keller – whether it be a concert review for Music Review, a piece for the Listener, … Continue reading

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“At a festival you are bound to enjoy yourself”: Hans Keller at the Edinburgh Festival

Founded by Rudolph Bing, Henry Harvey Wood and Sidney Newman, The Edinburgh Festival celebrates its 70th birthday this year – to which we at MusiCB3 wish many happy returns! There is an excellent account of the generation of the Festival … Continue reading

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Hans Keller and the anti-programme note programme note: a tale in 1231 words

For this post, I am calling in the specialist and allowing him the floor to make his case. Dear reader, I leave you in the capable hands of Hans Keller for the next 1,184 words [with the occasional editorial interjection … Continue reading

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Celebrating Purcell: treasure trove in the Keller Archive

That caught your eye, dear reader, didn’t it? But first, I must come clean to my many delightful Keller followers: this is not about the man himself or indeed his insights into Purcell (not that I’m aware he had any). … Continue reading

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From the back row of the stalls: Hans Keller and film music

“In its relation to its audiences, film music is the most disquieting problem child of contemporary art (the stress being not only on ‘problem’, but also on ‘child’).” So begins an unpublished article written by Hans Keller in August 1947 … Continue reading

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Hans Keller, Haydn and Marion Scott

Bear with me, gentle reader – there is a connection…somewhere… I have just spent most of a day reassembling the jigsaw of the manuscript of Hans Keller‘s book The Great Haydn Quartets [M668.c.95.53] – no easy task when one’s knowledge of the … Continue reading

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“And during the interval, Hans Keller will…”: radio scripts in the Keller Archive

By the time of his retirement in March 1979, Hans Keller had become one of the most experienced radio broadcasters and talks producers of his generation. Not only had he delivered a prodigious number of talks for the BBC, but … Continue reading

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