Author Archives: sw508

Your starter for 10: Hans Keller’s music quiz

Now that the May week celebrations here (in June, of course) are well and truly over and the summer holidays have begun in earnest, what better than a little exercise for the grey cells to keep them in trim for … Continue reading

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Offenbach 200: the Can-Can comes of age

As you may have noticed, this year marks the bi-centenary of Offenbach‘s birth and to mark the occasion we have put together a little, rather eclectic, display in the Anderson Room here at the UL. Never mind the Can-Can, how … Continue reading

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Hans Keller and the anti-competition

Hans Keller was implacably opposed to the concept of competition in music, maintaining that whilst it was something one could associate with sport, the arts were for communication, not competition. Nonetheless, he sat on many competition juries and judging panels, … Continue reading

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Berlioz 150

Now that the Hans Keller centenary is over, my lovely colleagues here at the UL were very concerned that I might be at a loose end. “I know,” they said “SW is a Berlioz fan isn’t she? We’ll ask her … Continue reading

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Hans Keller 100: the view from Another Place

Hans Keller and Haydn were sitting together in the Ambrosia Café in Another Place enjoying a cup of Viennese coffee and a gossip. “Happy Birthday old man”, said Haydn pushing a roughly-wrapped package across the table, “this is for you”. … Continue reading

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Hans Keller 100: a full score of events.

“If there is any point in an anniversary at all (victimization by over-exposure apart) it is a momentary pause: we stop at the traffic lights to reflect, for a moment, upon where we are going. Or rather, we know where … Continue reading

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The Keller Bradshaw letters: a new way of communicating?

I can’t remember when I have enjoyed reading a series of letters quite so much as those between Hans Keller and Susan Bradshaw (although perhaps those between Keller and Robbins Landon in the 1950s run a close second). The meeting … Continue reading

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